COPENHAGEN --- Michael Frayn
...at the helm here is Michael Rafkin, who knows how to Lee Godart, who plays Nils Bohr, has the deliberate
get the most out of good actors (as he proved during his good looks of Albert Finney. He also has a commanding
dozen years at Mad Horse) He has a superb one in Lee stage presence, and he makes it abundantly clear why
Godart the former soap stud Kent Bogard on "All My Heisenberg loves, respects and even fears him.
Children." Godart has matured into a mesmerizing leading However, Mr. Godart brings humor and warmth, as well
man who's in command of the Nils Bohr role throughout. as subtlety to his role. And regret. We learn that Bohr
failed to save one of his sons from drowning, and he will
Portland Herald. never forget this.
These two actors show how Bohr and Heisenberg were
the odd couple of physics - one deliberate and the
other quick, both in thought and movement. Their fine
performances illustrate the creativity of such a
collaboration and also show the tensions that come with
being on opposing sides.Their portrayals are suitably
complex, well-rounded, and moving.
Wolf Moon Press Journal
A Maine Magazine of Art and Opinion
THE LION IN WINTER --James Goldman
The play's success hinges on the actors who play As the King and Queen, Cristine Wallis and Lee Godart
Eleanor and Henry, and Cristine Wallis and Lee Godart are flawless, coldly maneuvring for supremacy over one
do a splendid job with these over-the-top characters. another, while harboring the remnants of true love. Godart, with
The dialogue between the two snaps and sizzles, and the the look and carriage of Sean Connery is particularly well-
actors really do make Eleanor and Henry seem like cast in the role of the stalwart leader stuck in the unenviable
both lovers and adversaries. Their performances have so position of having to balance family and power.
much spark that when they are on stage, it is nearly
impossible to look at anyone else....Charismatic and Footlights.
imposing, Godart brings a wry glimmer of humor to the aging
monarch. Despite his blind spot with his son John,
Godart's Henry has keen powers of observation which
extend even to himself, and it is this self-knowledge that
saves him from being insufferable.
Wolf Moon Press Journal.
ART- Yasmine Reza
.".Lee Godart as Marc is a great combination of
swaggering self-confidence and internal conflict."
THE NIGHT OF THE IGUANA --
Godart, from whom much is expected and
much is delivered, assumes control of the stage
from the moment of his entry. Through his mastery
and pure magnetism he draws the ensemble up
to a high level of consistent and harmonious
performance....it's a tribute to Godart's
professionalism that he won't permit us to
merely enjoy him. Rather he directs our attention
away from personality to the business of the
evening--confronting Williams' ideas.
Dr. Bettie Horne- Greenwood Gazette
MINDGAME --Anthony Horowitz
..Mr. Godart morphs convincingly from aggressive Lee Godart, as Mark Styler,
journalist to quivering wreck as the screws keep covers a lot of emotional territory: unnerved at having
turning. to wait for the doctor, persuasive in his qualifications
as a novelist, unsettled by the proceedings,and trapped.
Charles Isherwood. New York Times. Keith Carradine brings confidence and efficiency to the
role of Dr. Farquhar, and he knows where to put a pregnant
pause. Both are on stage for the full two hours, sparring
at near manic speed; these roles are difficult for the physical
demands and emotional shifts.
Godart is also a man of many faces, all of them
set in expressions of wary distrust, as Mark Styler, the
best-selling crime author hoping to get an interview with
a serial cannibal killer who has been locked up in Fairfields for
the last 30 years.